I was born in Miami Beach, Florida. My father owned an Art Deco kosher hotel filled with aged Holocaust survivors. My memory of it was as a fun, Felliniesque place with lots of bizarre personalities. My high school art teachers were overqualified for their jobs and I learned a lot from them. When I was a senior, I won a Silver Knight Award in art from Knight Publishing and The Miami Herald. I also illustrated for the Herald’s Sunday magazine and did courtroom drawings for them, including sketches of Jim Morrison of the Doors when he and band were on trial in Miami.
I moved to New York to attend New York University’s Film School. I transferred to Cooper Union a year later for painting. I could not make up my mind about whether I wanted to make films or paint. I transferred back to NYU a year later, just to finish my degree as soon as possible, taking painting classes with Richards Ruben and John Opper at NYU, and started working in the Cooper Union Library. It was an unsettled time for me. While working in the library, I read all of the recommended books on art history professor Dore Aston’s, reading list, and audited classes with Steve Posen, John Walker and Jake Berthot. I had finally made up my mind to be a painter.