About Mark

Exhibitions

The Painting Center, “Being Human” 2024
Ice Box 4 Gallery, “Push-Pull”, 2024
Metaphor Projects, “Among Friends”, 2024
Equity Gallery, “GREEN: Monsters, Money, Lust, Luck and Lucifer,” 2024
490 Atlantic Gallery, “Shape Shifting,” 2023
Incubator Studio Gallery, “Harvest of Dreams,” 2023
Blue Mountain Gallery, “Summer Juried Exhibition” (Pamela Salisbury, Juror), 2023
Flatbush Artists Studio Tour, 2023
Ice Box 4 Gallery, “Nidus, Distraught Nature,” 2023
Lockwood Gallery, “Putting It All Together,” Group Show of Collages, 2022
Bowery Gallery, “30th Annual Juried Competition,” Clintel Steed Juror, Group Show Online, 2021
Shrine Gallery, Group Show Online, 2021
The Painting Center, “One in a Year,” Group Show Online, 2021
Gary Giordano Gallery, “Unprecedented,” Group Show Online, 2021
Gary Giordano Gallery, “Painters and Painting,” Group Show Online, 2021
Jason McCoy Gallery “Drawing Challenge XXI,” Featured Artist, Group Show Online, 2021
Empirical Nonsense Gallery, “The End Project,” Group Show Online, 2020
M. David and Co. Group Show, 2019
Flatbush Artists Studio Tour, 2016-2019
Gallery 440, Brooklyn, “Small Works Show,” 2012-2016
Gallery 440, Brooklyn, “Small Works Show,” Curator’s Choice Award, 2010
The Police Building Gallery, New York, “Unwanted Figures of the Imagination,” Co-curator and Exhibitor, 1995

I was born in Miami Beach, Florida. My father owned an Art Deco kosher hotel filled with aged Holocaust survivors. My memory of it was as a fun, Felliniesque place with lots of bizarre personalities. My high school art teachers were overqualified for their jobs and I learned a lot from them. When I was a senior, I won a Silver Knight Award in art from Knight Publishing and The Miami Herald. I also illustrated for the Herald’s Sunday magazine and did courtroom drawings for them, including sketches of Jim Morrison of the Doors when he and band were on trial in Miami.

I moved to New York to attend New York University’s Film School. I transferred to Cooper Union a year later for painting. I could not make up my mind about whether I wanted to make films or paint. I transferred back to NYU a year later, just to finish my degree as soon as possible, taking painting classes with Richards Ruben and John Opper at NYU, and started working in the Cooper Union Library. It was an unsettled time for me. While working in the library, I read all of the recommended books on art history professor Dore Aston’s, reading list, and audited classes with Steve Posen, John Walker and Jake Berthot. I had finally made up my mind to be a painter.

I lived and painted in a small fifth-floor walk-up on Houston Street before moving to Brooklyn where I still live and paint. For the first five years after graduating I made a living working in frame shops and illustrating mostly science and medical articles for The New York Times and lots of magazines. I also illustrated a book on back problems or Random House and the AMA. The hyper-realism of medical illustrations could not have contrasted more with my relentlessly loose abstract painting at the time. Even in my current work, the two conflicting tendencies for fluidity and precision battle it out in what, for a lack of a better term, is my process.

In 1983, to make a better living while painting, I started teaching art to young children, including a long stint at The Town School, a private school on the Upper East Side. In 1996, I founded my own art school, The Art Center, for children, teens and adults. I developed the curriculum and involved myself in every aspect of the business. Working with kids was more than just a way to pay the rent and support my art. It helped me to understand more my own basic instinct to make art, in a very pure sense. By watching children organize a picture and to see how at a very young age each student applies materials to the surface of their paper or canvas, I understand myself and my own creative choices better.